Shreeve Persistence of Blue Hero 2019

The Persistence of Blue

Liz Shreeve
24 September - 26 October 2019
Opening Saturday 28 September, 3 - 5 pm

View exhibition | Exhibition catalogue

From the Ancient Egyptians to Yves Klein Blue, the colour blue has been a point of fascination and inspiration for art, culture, music and science. In her The Persistence of Blue LIZ SHREEVE looks to the everyday occurrence of blue, inspired by her observations of the colours of posters in shop windows. Unlike pigments in artists’ watercolours and inks, printing inks fade in strong light turning something brash and gaudy into a thing of subtle beauty.

With attention to blue as a lasting colour, SHREEVE plays out its changing states through the shifting tones across paper patterns. In the delicate almost minute gradations of blue there is a observation of time and its passing, as SHREEVE marks out the process of blue fading from initial deep tones to almost white.

SHREEVE’s work delights in the myriad patterns of light and shade that the grid can inspire. She uses the strict geometry of the grid to create contemplative, harmonious shifts in depth and space. The grid is a point of control and inspiration.

Adding dynamism to the transition of blue, SHREEVE engages with the grid to create depth and space in her paper works that move between the two-dimensional and the three-dimensional. With mathematical principles as her starting point SHREEVE discovers new arrangements in the repeating of geometric elements. A sense of transition occurs as light moves across the patterns, enhancing the depth and colour of blue and its seemingly infinite tones.

LIZ SHREEVE has recently been selected as a finalist in the Hazlehurst Art on Paper Award 2019, which will be in exhibition concurrently with our show, from 21 September until 17 November.


Ashley Frost 2019 At Bundanon Hero

At Bundanon

Ashley Frost
29 October - 30 November 2019
Opening Saturday 2 November, 3 - 5 pm

View exhibition | Exhibition catalogue

Arthur Boyd shared both home and studio at his property at Bundanon and Riversdale with many artists, including his brother-in-law, the renowned Australian artist, Sidney Nolan. In 1993, Bundanon and other surrounding properties (1100 hectares in all) on the Shoalhaven River were gifted by Arthur Boyd and his wife Yvonne, with the purpose of offering a creative retreat for artists, writers and musicians to be inspired by the land and scenery as they had been.

ASHLEY FROST recently took part in a week-long artists residency through the Bundanon Trust. The opportunity to paint under different skies has resulted in a series of plein air landscapes, interiors of the artist’s residence on the historical property, and portraits during his stay. It was an opportunity to paint and gather a newfound inspiration as many key Australian artists had before. Frost applies his own perceptive eye to capturing the Bundanon region, with subtle nods to Boyd through his engagement.

A finesse for painting en plein air is evident in FROST’s treatment of the landscape, sky and surrounding vistas on the adjoined Bundanon and Riversdale properties. Attention to colour and light is strong in FROST’s work. He captures the vivid fiery tones of the Illawarra flame trees known to the region, against the bright – sometimes harsh – sunlight and vast plains. Other works of Riversdale revel in the cool reflections of over-hanging bushland at the riverbank, or the high contrasts of a silhouetted landscape against the dramatics of a setting sun and fading light during dusky hours.

Observing the shared histories and practices that take place within the land, FROST painted works in response to events such as after a burn at Bundanon by the Mudjingaalbaraga Firesticks team. In doing this FROST memorialised an act of revitalisation and renewal. His paintings of winter poplars are ablaze and energised in response. With attention to light and its movement, the works trace light atop the trees and hills, and exude the vibrancy of the artist’s encounter. FROST’s interiors continue his evocative study of light and its transition. Painting interiors at dusk, or at turning points in the day there is a glow that warms the palette.

In the spirit of Bundanon’s artist legacy FROST invited fellow friends and artists to sit for him. Over a series of sittings FROST painted Painter John Bokor, who he met during his degree at National Art School in the 1990’s; Nicole Kelly who he regularly paints with en plein air around Sydney and Wollongong; and journalist and writer Caroline Buam. The confident mark making, and playful use of colour and tone brings liveliness to the works and subjects. Painted within Bundanon there is a sense that FROST has added new and personal memories in a place that is intrinsically embedded in Australian art history.


In dreams I wake

Tanya Chaitow
3 December - 21 December 2019
Opening Saturday 7 December, 3 - 5 pm